Thursday, January 6, 2011

CAUCHEMAR - La Vierge Noire CDEP review


CAUCHEMAR - La Vierge Noire CDEP
Nuclear War Now! Productions
Genre: Doom/Heavy Metal
Rating: 3/5

Seventies Heavy Metal infused Doom with haunting female vocals and lyrics sung in French. Can I die now? CAUCHEMAR are a three piece from Quebec, Canada. Their band name is French for "nightmare" and the release title means "the black madonna". OK now I can die because in the past few years there have been a bunch of bands who have fished the heavy metal waters of the 70s with mixed results. This one is definitely onto something which sounds retro but not copycat. The band started out in 2007, formed by vocalist/bassist Annick Giroux and guitarist François Patry. Their goal was to simply create some heavy doom metal sounds which is kinda unique for Quebec since, as far as extreme metal goes, it's already known for Tech Death and Suicidal Black Metal bands. Along the way they picked up drummer Patrick Pageau and now we have here their debut release. La Vierge Noire is only five cuts which come over with a casual feel. This is laid back metal but not stoner reprise. It just sounds as if the trio was very care free about recording this. To me that's the pure Doom aesthetic at work. Musically they come off sounding close to PAGAN ALTAR, early PRIEST, SAINT VITUS and a little bit of SABBATH. Annick's got the pipes which give it a cold feeling throughout. No high pitched screaming to jolt you out of your zone. In fact I don't even think this band cares. I love it! Finally here's a band that just doesn't give a damm. They're decent but I'd like to hear a whole lot more.

Label: http://www.nwnprod.com


Myspace: http://myspace.com/cauchemarmetal


Wednesday, January 5, 2011

Photo Funnies: I like this Cat

I LIKE THIS CAT


So no shit there I was at a friend's house the other night. Another friend of mine from out of town was there and we were all having dinner. Then I met one of their cats not this one but similar. My friend's cat had a distinct feature. The cat looked like Adolf Hitler, if Hitler had fur, whiskers and purred when you petted him. I don't know about that last part. Anyways seeing that I was over joyed at their cat's looks they told me about a website which specialized in cats who look like Hitler. Here's the link below if your love of felines is as sick and twisted as mine.


http://www.catsthatlooklikehitler.com/cgi-bin/seigmiaow.pl

SWASHBUCKLE - Crime Always Pays CD review


SWASHBUCKLE - Crime Always Pays CD
Nuclear Blast
Genre: Thrash/Crossover
Rating: 3/5

Now how the hell did I miss out on this one last year? I've written nice things about these New Jersey pirates in the past. Hell I've even turned some people on to em since they played locally in Dec.2009 and Jan 2010. In all honesty those people were really into spectacle metal and heavy drinking. SWASHBUCKLE's in your face and entertaining pirate themed thrash attack was secondary in their minds. Speaking of which on Crime Always Pays these buccaneers have strayed away a bit from their former NYHC/Thrash/Crossover fun style and have gained a more melodic death metal feel to some songs. I won't go so far as to say they've become AMON AMARTH with tri-corner hats and eye patches but on cuts like "Where Victory is Penned" or "At the Bottom of a Glass" it's fairly evident. No complaints here since this band needed some changes if they were gonna continue on without becoming monotonous like ALESTORM.

The release opens with a kinda folksy pirate instrumental "Slowly Wept the Sea" after which the jolly roger is risen and all hell breaks loose with "We Are the Storm". It's a decent cut up until it breaks down into a BEASTIE BOYS rap near mid-point, but ends as it started. "Powder Keg" brings on a audience participating chorus of "yo ho ho" chanting. As far as the release on a whole it sounds angry as opposed to their previously fun thrash approach. The title cut is a fierce sonovabitch as well as "Raw Doggin at the Raw Bar". Captain Nobeard's vocals are down right hostile whether he's screaming or almost growling. It's as if someone denied em their rum allotment while recording this new one. There's no abundance of corny pirate themed intros or ditties on here with the exception of the traditional folk tinged "Of Hooks & Hornswogglers" which comes in near mid-point and the closer "Rope's End". All in all a decent change of pace for a band in need of it.

Label: http://www.nuclearblast.de/


Myspace: http://myspace.com/swashbuckle


PLANKS - The Darkest of Grays LP review


PLANKS - The Darkest of Grays LP
Per Koro Records
Genre: Post Metal/HC
Rating: 3/5


While writing a review for a TOMBS full length compilation release last year I said this German band, who did a split with TOMBS in 2008, sucked but I was basing it on my opinion of that particular release. I didn't think much of that TOMBS release either just for the record. Of course it's not always good to start off a review with hatred, malice and disgust as part of your overall attitude. Although in my case it seems to be a prerequisite of late especially when dealing with post metal sounding bands. These guys are obviously a decade behind the curve since they sound like all of those acts in the 90s who started copying HELMET after they released Betty. Yeah those were some fun days, not. One thing which is cool is that the band has this release available for free download at their MySpace site. How punk rock of them, yeah give it all away before Relapse buys the rights. Be quick about it before some Indie Rock clown screams "Post Metal" revival. OK I apologise for that since Indy Rockers don't have revivals. They just steal other people's music formulas and claim them for their own. Actually after listening to this a few times I think these Germans are on top of the whole HELMET copycat pile on.

At least for their sake The Darkest of Grays has a gritty sound to it much like Strap it On or the earlier Born Annoying 7"er. To me that's a plus for them although I have to wonder if any of these guys, there's three of em, are the bastard offspring of Page Hamilton. But seriously this could be Re-Born Annoying and that's not saying it's a bad thing. I feel for the idiot who calls this Sludge, so much for their journalistic reputation. PLANKS sound formidable on here as if it was 1989 and not 2011. I believe this actually came out a few months ago, oops! Oh well they even add some post black metal although they're just too fuckin heavy to cruise with the MY BLOODY VALENTINE in corpse paint crowd. Although I wouldn't count out the idea of some fool trying to drag em into that. The Darkest of Grays does take a few cuts into it for the meat to be exposed and some fun reveals itself. "Long Live Depravity" opens with a bass and drum intro straight from TSOL's "Sounds of Laughter" but then cranks into the HELMET meets FUGAZI double bill sound from the 9:30 club show. "The Dead Return to War" could be filed under sludge sans the groove and replacing it with death doom atmospheric melody. "Fallen Empires are Ruling" sounds like a less epic but more depressive PRIMORDIAL. With the exception of the two sample intros "Denaturer" and "Fantasmes" the rest of The Darkest of Grays has more going for it than what I'd say for most post metal crap. Obviously having a formula which worked well in the past helps them immensely plus the feral vocals and overall morbid atmosphere will chase away the hipster losers. Strangely enough the title cut, which comes near the end of this, is the most powerful song on here with the final cut "A Casket City", a piano melancholy being the worst.


Label: http://www.perkororecords.com/


Myspace: http://myspace.com/walkingonplanks


LEGION OF THE DAMNED - Descent into Chaos CD


LEGION OF THE DAMNED - Descent into Chaos CD
Massacre Records
Genre: Thrash
Rating: 5/5

The main reason why this Dutch thrash act never got tossed into the neo thrash pile is because the so-called "thrash revival" was more about recreating the San Francisco Bay Area sound of the 80s and nothing else. Since starting out back in 2005 this band's sound has always leaned more towards the Teutonic side of the Thrash aisle, thankfully. They also bring some death metal to the mix which adds to the ball squashing fun. Yes I'm a fan of LEGION OF THE DAMNED ever since their 2008 release Feel the Blade split my head in two. They're one of the few bands of this genre who have consistently produced high caliber releases in the past few years. While the rest of the neon colored bandanna wearing crew is still nursing a hungover from their kiddie thrash fascination. LEGION OF THE DAMNED are standing on the high ground of the metal wars. OK I'm bias so fuckin what?

If there's one thing on Descent into Chaos that I didn't care for then it's the spooky spoken word title cut intro. Stuff like that is better left to black metal bands since on here it's cheesy. Otherwise this thing kicks off with "Night of the Sabbath" and you're not brutalized with speed like some of their previous material. This time around the band is much more oriented into heavy head crushing riffs. Even on "War is in My Blood" there's breakneck speed but they break it down with some classic headbanging basics. There will definitely be some pit action when they bring that cut out into their formidable live set. "Shrapnel Rain" is pure old school crowd shout along type of thrash that's meant for blood pumping mania. The cut adds some groove to their thrash template and doesn't sound like they're catering to the wiggers in the pit crowd.

In the past I've read some reviews where the writers stated that this fearsome foursome from the Netherlands had a strong SLAYER influence. Really? Where? You blast songs like "Desolation Empire", "Holy Blood Holy War" (the meanest cut on here) plus "Lord of the Flies" and the only US thrash influence I can fathom is early DEATH ANGEL. I've said that about their past releases as well since they reminded me of what your head would be like after attending a DESTRUCTION/DEATH ANGEL show from the 1980s. On this their fifth full length LEGION OF THE DAMNED has assured themselves a place on the top tier of the genre. Those of you out there who have known that all along will also find this new one a surprise since it was recorded, mixed and mastered in Sweden at the Abyss, with Peter Tagtägren behind the console. Although I wouldn't say Descent into Chaos sounds polished in any way. Actually it has a sound and style that makes it worthy of sitting beside any genre classic of the past.


Label: http://www.massacre-records.com/


Myspace: http://myspace.com/legionofthedamned


MITOCHONDRION - Parasignosis CD review


MITOCHONDRION - Parasignosis CD
Profound Lore
Genre: Blackened Death
Rating: 5/5

For those of you who don't know this, the Profound Lore Records headquarters is built on top of the abyss which leads to the underworld. If you've ever wondered where they get all of these extreme hell spawned sounding bands from. They just crawl up out of the hole to be greeted by some label intern who signs the band on the spot. They have to kill the intern in order to use his blood for the contract signing. Yeah sure this three piece known as MITOCHONDRION say they're from Canada but that's just a cover story just like the Coneheads were from France. Parasignosis is the band's second full length and although I never heard their debut Archaeaeon from 2008, this release is evil incarnate. Take the NILE/BEHEMOTH template, sound and lyrical style, then submerge it into a cauldron of bubbling black atmospheric ooze. The end result is pure blackened filth that overwhelms you like a hundred foot high tsunami wave. You can't out run epic shit like this. Just put the CD in your stereo, push play then bend over and kiss your ass goodbye.

MITOCHONDRION combine all the best elements of the genre aka: cavernous vocals, guitar noise which alternates from plodding hate to aggressive riffage, frenzied solos and tortuous drumming. They compliment the basics with this haunting atmosphere which hangs over everything like a sulfuric fog. This thing came out a year too early. It would have been better accepted as the soundtrack for the supposed Mayan calender December 2012 end all. Imagine what an apocalypse would sound like, play this CD a few times then reevaluate. Their vocalist/guitarist Shawn Hache sounds like his throat is a furnace on overdrive. He barely takes a break over this over 55 minute beast. There's some typical BM shrieks tossed in, as well as slight clean vocals, by fellow maniac Nick Yanchuk who spends most of his time on here as guitarist and bassist. Between those two and drummer Karl Godard, who also adds some sickening keyboards, they have created something with Parasignosis that requires a new definition to the word "devastation". The only moment of peace, if you wanna call it that, comes at the end with the aptly titled "Ambient Outro". Even with that you feel like some foreboding menace is about to jump out of nowhere and bite ya. Turn on the smoke machine if you dare. It's only January and here's a release worthy enough to sit next to the stereo all year. We're all gonna die horribly.

Label: http://www.profoundlorerecords.com/


Myspace: http://myspace.com/mitochondrion


Sunday, January 2, 2011

HIPSTER METAL: an oped by Mr. Wolf Jan. 2011


HIPSTER METAL: an oped by Mr. Wolf Jan. 2011

Last year I spent a lot of unnecessary time talking on the merits of the term HIPSTER METAL within many of the reviews on SCUMFEAST METAL 666. I think now is about the right time to explain my own opinions on the subject since in a way they are not equal with what alot of others have described in magazines or websites. First off the question needs to be asked and that is what do I believe is Hipster Metal? OK simply put Hipster Metal is Metal or Metalish bands which the hipster crowds swoon over. I know that really doesn't help unless you understand what a "hipster" is along with why they are to be despised, laughed out and denigrated. For that there's some history involved.

I first learned about the term "hipster" years ago while, strangely enough, reading a publication that catered to a more liberal oriented readership. When it came to music appreciation the publication leaned towards things which were more toward a snobbish outlook. Liberals as a rule always look down their noses at things which could be considered "common" (like common sense). Secondly if you toss in their liberal white guilt (aka: racist) approach to everything then you'll understand why they promote things like world music, rap, jazz, etc. The writers (???) of these publications also come from institutions of political/social indoctrination. They have that "ivory tower" mentality and live within a vacuum of ideals where nothing else can creep in. Liberal publications were the first to install virtue to Indie Rock and Alternative music even though there was nothing uniquely independent or alternative about it. Indie Rock or Alternative music were always watered down versions of something that was far better which came before it. In other words it's the pansy version. Prior to Indie Rock there were other terms used like "college rock" or "cutting edge" which once again were used to promote lite versions of the "real thing". Remember the term hipster comes from the pairing of the words "hip" and "shyster".

The specific article I was reading was about a local Indie Rock band which the liberal publication portrayed as "the new band that all the hipsters will be talking about tomorrow". They weren't being negative either since the same publication regularly used the term "hipster" as a way of placing a tag of greatness upon the subject. If you want to be cool like "everyone else" then check this out. It's just another way of saying "trendy". Trendy people are consumers of superficial appearances. They are the ultimate parasites in society rivaling roaches. Not only are they willing to survive off of the crumbs but they tout it better then the loaf it came from. Now when you take that whole ideology and place it in the context of music you have some pansy who thinks their liking of a particular watered down style of music is better than the real thing. Yes it does sound like someone suffering from some sort of mental disease. I call it hipster retardation and something else which comes from it is history revisionism. What was once hated can now be cool again if you assimilate it right and frame the dialog. The justification for Indie Rock parasites was that they might of had a BUZZCOCKS release therefore instant cool was placed upon themselves. Personally I never saw how "Anarchy in the UK" was equal to some post grad liberal loser in a jangly pop band singing about his latent homo-erotic feelings. Although I'm sure most rap songs are a result of past anger felt by the artists (?) after being introduced to prison sex and liberals do promote rap.

Remember "alternative country" aka: Alt. Country? No self centered liberal snob would ever admit to liking country music. To them it was simply beneath them for various bigoted reasons of their own. But someone in their intellectually starved vacuum decided it was alright to like country music as long as they could have a watered down version of it with college kids performing it. So the new trend of Alt. Country was born and it became the new Indie Rock for awhile there. But like all trends it died so now the hipster retards needed something new to use to make themselves feel good and superior. Well what was left since they already watered down Punk Rock and Country music to their pansy standards? What about Metal? The pansy development of Metal has taken some time but has finally been recognized now as "hipster metal". You must remember the process at work in hipster retardation. First take an established art form to justify yourselves then recreate watered down versions. With Indie Rock it was easy since the stupidity of the Punk scene literally handed over certain bands to the pansies. With Country Music it was Johnny Cash covering a NINE INCH NAILS song. As far as hipster parasites jumping on the metal bandwagon who really knows when or with whom it started. Some people will say nu-metal or rap metal might've started it or at least opened the doors. From that point on the hipsters started latching onto certain bands as prototypes for their future clones. This is why there are some bands liked by hipsters and then there are bands created by the hipsters. Either way what resulted is something where I actually saw in print, in an liberal publication as well, the words "metal for the Indie generation". So to put things into perspective the term "Hipster Metal" was coined by the liberals in their publications as a good thing. It was metalish but didn't have all the essential elements of Metal within that liberals always looked down their noses at, in particular individual freedom.

To be a liberal means you are part of the machine, a drone as it were, which is programmed to like or dislike something. To be a follower of trends means you're not free willed. It works the same way within hipster retardation since their music is a joyless hole of empty fuckin noise. So the hipster will go out and look for something "bohemian" in which to satisfy their desire to not look totally as being a pansy. A few years ago hipsters latched onto various aspects of metal and to some degree Hardcore. The thing is that they won't assimilate themselves into the established genre. Hipsters will always look down their noses at Metal as well as any extreme music. The hipster stands to the side and looks in like a cowardly "peeper", for them it's risque behavior. Something that we would take for granted as natural a hipster will do otherwise. I remember when drinking a Pabst was a hipster thing to do. It made me feel bad because I like Pabst. It was the same thing with flannel shirts which I've always worn but the next thing I knew was people asking me if I was into Grunge. Now to be hipster you must be a beer snob and drink some concoction (there's that "cock" insertion again) in a dark bottle with a fancy colorful label. I'll drink a fancy beer if it's free otherwise I'll stick with my Pabst and I don't say "pbr" or any other hip ghetto slang terms. But getting back to the music, it's not really the fault of established bands that hipsters like them. One of the reasons why I don't call alot of band's hipster is because I know years ago no hipster would have liked them until they were told to like them. A few years ago some bands in Black Metal were being accepted by hipsters as being the new thing to get into. I actually couldn't believe it at first. Since hipsters are liberal than Satanism, be it the religious or secular version, would not be appealing. The secular version deals in the ethos of "might is right" which is something a bunch of pansies would not be into. Secondly the whole Satan thing is definitely a no no because you know what the dark lord thinks of girly men and the women who like em right? It didn't matter because of what came next.


Once the hipsters find something they like then they recreate it in their own pansy image. Years ago a friend of mine told me the reason why Elvis Costello received so much critical acclaim was because the people who praised him also looked like him. (Oops!) Look at all the bands hipsters like and then look at the hipsters. I use to call Indie Rock a type of music for pigeons (as in looks and eating habits) and Alt. Country was something you would hear on a jukebox at a dude ranch (who frequents dude ranches?). As for Black Metal the hipsters created post black metal and of course there are other extreme music genres that followed. Hardcore became metalcore a big one with northeastern college boys. They also liked all of that mathcore crap as well and applied it to death metal so now we have Technical Death Metal. It's especially big with pansy boys whose closest encounter with violence is playing a game on their Xbox. Some say shoegazer black metal is hipster but only certain bands who have no bearing in the BM scene. There's always that question of who is a hipster within metal. I always see it as the hipster will listen to a metal band and afterwards discuss the music's merits in a philosophical way, closing it with attacking metal. Where as a metalhead can do the same thing but would rather just kill the hipster. Metalheads, as well as any extreme music fan, are far more intelligent than any hipster. We can discuss the various aspects of the music and the deeper meanings it has. The difference is that the hipster is superficial and would never really live the life. To them the real music is just something temporary. This is why they create bands of their own which are just as fake as themselves.

Nowadays hipsters are feeling the weight of condemnation upon them. Their baby cries are being heard far and wide. Just like liberals who cannot stand the fact the someone calls them out (or will have a different opinion then their own). The hipsters hate the fact that they're being branded with the same tag they created. They're also finding hard to be accepted within certain genres because they expose themselves as hipsters just too easily. Black and Death metal truthers have almost run out all of the hipster filth or at least told em where to shove it. Unfortunately they won't leave all alone. Just in the past few years hipsters have latched onto another Metal genre, Doom. Although they don't like all Doom, especially the really good stuff, but instead like one sub genre of it which is the stoner sludge part. The "stoner" sect I can understand because years ago hipsters were all into heroin chic and the Indie Rock bands who had heroin addicts as band members. It's too bad more of them didn't die of overdoses. The "sludge" part I don't know since it originated from Hardcore. One thing I do know and that's both of these Doom sub genres were popular years ago and the hipsters then looked down their noses at it. Why is it big now with their ilk I'll never know except maybe they were told to like it. Either way in the long run hipster retardation will run it's course and finally leave Metal for something else. The problem is that some people new to "extreme music" will catch the hipster shit first and not likely to dig deep into the real stuff. In the end that hurts alot of people especially bands and clubs who are devoted to the extreme. Along comes a fad and weak people flock to it like a moth to a flame. There are plenty of hucksters waiting to take advantage of it in order to make a buck or advance their career.

There's also the media which will jump on a trend like a fly to shit. Hipster types flock towards the media outlets for work. Decades ago it was the hippies who were writing for the major music media outlets. That's the main reason why BLACK SABBATH was always looked down upon and LED ZEPPLIN was swooned over. Extreme music has always been looked upon with hatred by the uppity snobs of music journalism. Their attitude was that the lower class just can't accept the greatness of the bands/artists they slobbered over because they were ignorant. That's the great excuse of the elitist. It's never based in common sense like maybe we don't like the crap you're peddling. It's always they're smarter then the rest of the hoi polloi, the unwashed masses. (If you're a political junkie like me then you seen something similar this year as far as Washington DC politicians verses the people.) The extreme crowd simply ignored the elitists in the media. They created their own media and covered the music they liked. In a way it was just as elitist except the extreme wasn't trying to force it on anyone and it wasn't phony. It was a do it yourself type of ethic and it worked. In a way it tried to keep the hipster retardation out which it did for a long time. Unfortunately when you have the major music media run by hipster retards then sooner or later they will invade, assimilate what they like and attack all the rest. We're seeing that today but still they're losing. The fans will always be the ones with the last word, not the hipsters. I count myself as a fan. At the end of the year I have a category in the Scumfeast Metal 666 Favorites of the year listings about the Hipster Metal Favorites of the year. These are not picks by me but what I have read hipster scribes harp about. You could say I'm using their own words against them. Years ago when I first read that word "hipster" I knew that sooner or later it would come back to bite them in the ass. Well tell me you hipster retards how does it feel to have half an ass? Don't bother answering I can hear your music.

Mr. Wolf